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Behringer 1273 2-Channel Microphone Preamplifier with 3-Band Equalizers and Custom-Built Midas Transformers

SKU: 1273

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  • Full Specifications

    FEATURES-

    • Two-channel microphone preamplifier with 3-band equalizers, based on the classic 1073 design

    • Class A, all discrete circuitry for highest signal integrity

    • Custom-built Midas input and output transformers

    • Versatile gain controls to handle various type of inputs including mic, line and instrument

    • Electronically controlled resistor-stepped 80 dB rotary gain switch for extreme precision and low noise

    • Tone function changes input transformer impedance for mic optimization

    • Dedicated Phase, Tone, Insert, Line, Instrument, and Phantom Power switches for each channel

    • Inductor-based switchable equalizers section with a passive third-order high-pass filter

    • Low-frequency boost/cut at 35, 60, 110 or 220 Hz

    • Mid-frequency boost/cut at 360, 700, 1600, 3200, 4800 or 7200 Hz

    • High-frequency boost/cut at 10, 12 or 16 kHz

    • 5-position inductor-based high-pass filter, selectable for off, 50, 80, 160 or 300 Hz for each channel

    • Transformer-balanced inputs and outputs on XLR/combo connectors

    • High-precision 7-segment LED signal level meter for each channel

    • Rugged 2U rack mount chassis for durability in portable applications

    • Auto-ranging universal switchmode power supply

    DESCRIPTION-

    1273

    Every so often an iconic piece of hardware takes the music industry by storm and transforms into a beloved fixture in studios worldwide. The 1073 was one such piece of gear. A mic preamp with a unique voice and rich sound, it became famous for shaping the sounds of many music generations, from the grit of ‘70s rock and roll, to the polished pop of the ‘80s. It was a staple in renowned studios like Abbey Road, Sound City, and Capitol Studios and influenced iconic tracks like Led Zeppelin’s “When the Levee Breaks” as well as The Who’s “Who’s Next.”

    Today, we pay homage to that iconic studio cornerstone with the Behringer 1273, a two-channel microphone preamplifier, with built in EQ. The 1273 is more than just a remake. Developed with one of the original engineers, their valuable knowledge and experience ensures that the 1273 not only remains faithful to the original but is able to meet the demands of modern production.

    Versatile Operation

    Versatile Operation

    The 1273 is built around a Class A discrete circuit which ensures the highest signal integrity with minimal coloration. Each input and output stage is equipped with a high-quality, custom-built Midas transformer that’s great for maintaining signal clarity and integrity. The 1273 also has versatile gain controls for each channel for various input types such as mic, line and instrument, providing comprehensive control and flexibility for different recording scenarios. And if you’re switching between different mics like a dynamic to a ribbon, pressing the tone switch adjusts the transformer impedance for whatever mic is in use. Great for when your using vintage microphones.

    The First Steps

    SPECIFICATIONS-

    Audio Inputs

    Microphone

    Type: 2 x XLR, transformer balanced front
              2 x XLR, transformer balanced rear

    Impedance: 300 Ω / 1200 Ω, balanced

    Max. input level: +19 dBu

    Gain: -20 to 80 dB

    Mic EIN @ 80 dB gain, 22 Hz to 22 kHz: -125 dBu Unweighted

    CMRR @ 60 dB gain: > 90 dB

    Line

    Type: 2 x 1/4" TRS in combi socket, transformer balanced front
               2 x 1/4" TRS, transformer balanced rear

    Impedance: 10 kΩ, balanced

    Max. input level: +30 dBu (attenuated -34 dB)

    Gain: -20 to 80 dB

    CMRR @ 0 dB gain: > 80 dB

    Instrument

    Type: 2 x 1/4" TRS, front, hi-Z via transformer

    Impedance: 600 kΩ, unbalanced

    Max. input level: +30 dBu (attenuated -20 dB)

    Gain: -20 to 80 dB

    Insert return: 2 x 1/4" TS


    Audio Outputs

     

    Type

    2 x XLR, 1/4" TRS, transformer balanced

    Impedance

    < 80 Ω balanced

    Max. output level

    +28 dBu

    Insert send

    2 x 1/4" TS


    System Specifications

    Frequency response (microphone)

    20 Hz to 20 kHz, ±0.5 dB

    Frequency response (line and instrument)

    20 Hz to 20 kHz, ±1 dB

    Distortion (THD+N)

    <0.01% @ 1 kHz, +4 dBu
    <0.07% 50 Hz - 20 kHz, +4 dBu

    Noise

    < -83 dBu (20 Hz - 20 kHz unweighted)

    Dynamic range

    > 102 dB typical (20 Hz to 20 kHz unweighted)

    Circuit

    Class-A amplifiers, inductor based EQ


    EQ Section

    Hi pass filter

    50 / 80 / 160 / 300 Hz (18 dB/octave)

    Low-band frequency range

    35 / 60 / 110 / 220 Hz

    Boost / cut

    ±15 dB

    Mid-band frequency range

    360 / 700 / 1600 / 3200 / 4800 / 7200 Hz

    Boost / cut

    ±15 dB

    High-band frequency range

    10 / 12 / 16 kHz

    Boost / cut

    ±15 dB


    Controls

    Buttons

    2 x 48 V phantom power
    2 x Polarity invert
    2 x Tone
    2 x Line
    2 x Insert
    2 x Inst
    2 x EQ in

    Controls

    2 x Gain - 20 to 80 dB
    2 x Low ±15 dB, off to 220 Hz
    2 x Mid ±15 dB, off to 7.2 kHz
    2 x High ±15 dB, off to 16 kHz
    2 x Hi pass, off, 50 Hz, 80 Hz, 160 Hz, 300 Hz
    2 x Output level, zero (off) to 0 dB

    Switch

    On/off power switch

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